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Kornhaber, Story by Spencer. "The Eeriness of the 2020 Disco Revival". The Atlantic. ISSN 1072-7825. Archived from the original on January 1, 2021 . Retrieved February 27, 2021. Roberts, David (2006). British Hit Singles & Albums (19thed.). London: Guinness World Records Limited. p.95. ISBN 1-904994-10-5. But the pre-Saturday Night Fever dance underground was actually sweetly earnest and irony-free in its hippie-dippie positivity, as evinced by anthems like MFSB's Love Is the Message." – Village Voice, July 10, 2001. Official Singles Chart Top 50 - 04 May 1975 - 10 May 1975". officialchart.com. Archived from the original on February 25, 2021 . Retrieved January 19, 2021.
a b Moore-Gilbert, Bart (March 11, 2002). The Arts in the 1970s: Cultural Closure. Routledge. ISBN 9780415099066 . Retrieved May 30, 2012. Morley, Paul (August 20, 2009). "Paul Morley's showing off ... Vince Aletti, Bill Brewster and Luke Howard". The Guardian. Archived from the original on April 29, 2020 . Retrieved February 8, 2019– via www.theguardian.com. empsfm.org – EXHIBITIONS – Featured Exhibitions". emplive.org . Retrieved June 5, 2017. [ permanent dead link] The term "disco" is shorthand for the word discothèque, a French word for "library of phonograph records" derived from "bibliothèque". The word "discothèque" had the same meaning in English in the 1950s. Echols, Alice (2010). Hot Stuff: Disco and the Remaking of American Culture. W. W. Norton and Company, Inc. ISBN 978-0-393-06675-3.FanLabel Staff (April 30, 2020). "2020's Disco Pop Revival | FanLabel Music Scene | Playlist". FanLabel. Archived from the original on April 19, 2021 . Retrieved February 27, 2021. The Last Days of Disco (1998) – The Criterion Collection". The Criterion Collection . Retrieved May 22, 2009. Chloë Sevigny as Alice Kinnon: One of two main characters, a quiet, passive but intelligent young woman working as a book editor in Manhattan. She and Charlotte, frequent companions, work for the same publisher and attended a prestigious college together. In the summer of 1964, a short sleeveless dress called the "discotheque dress" was briefly very popular in the United States. The earliest known use for the abbreviated form "disco" described this dress and has been found in The Salt Lake Tribune on July 12, 1964, Playboy magazine used it in September of the same year to describe Los Angeles nightclubs. [14] Further, in addition to gay sex being illegal in New York state, until 1973 the American Psychiatric Association classified homosexuality as an illness. [41] This law and classification coupled together can be understood to have heavily dissuaded the expression of queerness in public, as such the liberatory dynamics of discotheques can be seen as having provided space for self-realization for queer persons. David Mancuso's club/house party, The Loft, was described as having a " pansexual attitude [that] was revolutionary in a country where up until recently it had been illegal for two men to dance together unless there was a woman present; where women were legally obliged to wear at least one recognizable item of female clothing in public; and where men visiting gay bars usually carried bail money with them." [43] History [ edit ] 1940s–1960s: First discotheques [ edit ]
Murrells, Joseph (1978). The Book of Golden Discs (2nded.). London: Barrie and Jenkins Ltd. p. 344. ISBN 0-214-20512-6.Photographer @brogenjessup | Location: @domainechardonnay | Planning: @fawnevents | Florals: @joyofbloomflorals | Lighting: @brillianteventlighting | Rentals: @catalogatelier @adorefolklore and bbjlinen Shapiro, Peter (2000). Modulations: a history of electronic music: throbbing words on sound. Caipirinha Productions. pp. 40–49. ISBN 1-891024-06-X.
In the 1970s, notable discos included " Crisco Disco", "The Sanctuary", "Leviticus", " Studio 54", and " Paradise Garage" in New York, "Artemis" in Philadelphia, "Studio One" in Los Angeles, "Dugan's Bistro" in Chicago, and "The Library" in Atlanta. [23] [24] a b "How Dua Lipa Is Leading The Charge Toward Disco-Influenced Production". Billboard. March 27, 2020 . Retrieved September 23, 2020. The film was accessioned by the film library at the Museum of Modern Art in New York City, where it is sometimes screened to the public. It was last shown at the museum's Pop Rally event in August 2009, with Stillman, Eigeman, and Subkoff present for a question-and-answer session after the screening. [19] An after-party in celebration of the screening was also advertised and held that evening. Why stop at the hen party? Let this disco ball-fuelled decor theme inspire the wedding day itself! For inspiration, this incredible image by photographer Brogen Jessup will undoubtably whet the disco ball appetite and set your imagination in motion! Suspended from a frame at different heights and teamed with some achingly cool dried florals, we love the vibe these mirror balls create for this outside wedding! Perfect for the couple who want to level up their alfresco reception vision!
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Discothèque" became used in French for a type of nightclub in Paris, after they had resorted to playing records during the Nazi occupation in the early 1940s. Some clubs used it as their proper name. In 1960, it was also used to describe a Parisian nightclub in an English magazine. Aletti, Vince (2009). The Disco Files 1973–78: New York's underground week by week. DJhistory.com. ISBN 978-0956189608.
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