Greek Lessons: From the International Booker Prize-winning author of The Vegetarian

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Montgomery, Charles (15 November 2015). "Review of Han Kang's (한강) "The Vegetarian" ". www.ktlit.com. KTLit. Archived from the original on 28 June 2016 . Retrieved 7 April 2016. Han revealed in an interview at the Seoul ABC book club (7 November 7, 2015) that she wrote this work in longhand, because too much keyboarding had injured her wrist. There are also similarities between the female character in Greek Lessons and Kang’s International Booker prize-winning novel The Vegetarian. The women are broken, furious, violated, overwhelmed and isolated. In Greek Lessons, the female character is “unsure if it was OK for her to exist in this world”, which is why the third-person point of view is so fitting: “She just didn’t like taking up space. Everyone occupies a certain amount of physical space according to their body mass, but voice travels far beyond that. She had no wish to disseminate herself.” All I can say is, thank goodness Han Kang’s literary voice takes up space in the world in the way her female characters struggle to. Cheuk, Leland (April 20, 2023). " 'Greek Lessons' is an intimate, vulnerable portrayal of two lonely people". NPR. On Translating Human Acts by Han Kang - Asymptote". www.asymptotejournal.com . Retrieved 2023-06-23. Han's debut work, A Love of Yeosu, was published in 1995 and attracted attention for its precise and tightly narrated composition. [8] Han wrote The Vegetarian, and its sister-work, Mongolian Mark by hand, as overuse of the computer keyboard had damaged her wrist. [9] It has been reported that in her college years Han became obsessed with a line of poetry by the Korean modernist poet Yi Sang: "I believe that humans should be plants." [5] She understood Yi's line to imply a defensive stance against the violence of Korea's colonial history under Japanese occupation, and took it as an inspiration to write her most successful work, The Vegetarian. The Vegetarian was Han's first novel translated into English, although she had already attracted worldwide attention by the time Deborah Smith translated the novel into English. [10] There has been some controversy over the translation of the novel, as scholars have detected mistakes in it; among other issues, there is concern that Smith may have attributed some of the dialogue to the wrong characters. [11] The translated work won the Man Booker International Prize 2016 for them both. She is the first Korean to be nominated for the award. The work was also chosen as one of "The 10 Best Books of 2016" from NYTimes Book Review. [12]

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Khakpour, Porochista (2 February 2016). " The Vegetarian, by Han Kang". The New York Times. Archived from the original on 1 October 2017 . Retrieved 5 February 2016. McAloon, Jonathan (5 January 2016). "Human Acts by Han Kang, review: 'an emotional triumph' ". The Telegraph. Archived from the original on 21 April 2016 . Retrieved 7 April 2016. HAN Kang | The International Writing Program". iwp.uiowa.edu. Archived from the original on 2019-01-03 . Retrieved 2019-03-08. Interview with Han Kang - The White Review". www.thewhitereview.org. Archived from the original on 2018-11-27 . Retrieved 2018-11-27. If Han’s portrait of a woman’s withdrawal most readily calls to mind her 2015 English-language debut The Vegetarian, whose main character mounts a rebellion against her husband, family and society at large by refusing to eat meat, it also has a clear kinship with her later works Human Acts, which told the story of the Gwangju uprising of 1980, and The White Book, a fragmentary account of a writer walking through Warsaw reflecting on the death of her sister as a newborn. Han’s books often feature a meticulous, sustained attempt to describe inner states of being through glassily clear sentences in which sudden, unexpected images burst through. There is a sense of restraint and violence continually being held in balance; an insistence on indeterminacy, as strands of other narratives weave in and out of the story we believe we are being told.

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Soon they discover a deeper pain binds them. For her, in the space of just a few months, she has lost both her mother and the custody battle for her nine-year-old son. For him, it's the pain of growing up between Korea and Germany, being torn between two cultures and languages.

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Strang, Em (2023-04-11). "Greek Lessons by Han Kang review – loss forges an intimate connection". The Guardian . Retrieved 2023-04-24. Han Kang is the daughter of novelist Han Seung-won. [5] She was born in Gwangju and at the age of 10, moved to Suyuri (of which she speaks affectionately in her novel Greek Lessons) in Seoul. She studied Korean literature at Yonsei University. [6] Her brother Han Dong Rim is also a writer. She began her published career when five of her poems, including "Winter in Seoul," were featured in the Winter 1993 issue of the quarterly Literature and Society. She made her fiction debut in the following year when her short story "The Scarlet Anchor" was the winning entry in the Seoul Shinmun Spring Literary Contest. Since then, she has gone on to win the Yi Sang Literary Prize (2005), Today's Young Artist Award, and the Korean Literature Novel Award. Han has taught creative writing at the Seoul Institute of the Arts and is currently working on her sixth novel. [6]One of the two central protagonists of Han Kang’s Greek Lessons, the 2011 novel from the International Booker prizewinner, which has just been translated from Korean into English, has lost the power of speech. The book explores the extent to which this sudden disappearance of words, which first befell the unnamed woman when she was a teenager and has now recurred at a particularly vulnerable moment in her life, amounts to a more catastrophic rupture with language. For the woman appears almost to repudiate any other ways of communicating, eschewing written notes to her therapist or attempts to convey information through sign language.