1982 Edition)

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Net cap of twenty thousand kilograms, they sweat on their way down..." (during "Container Drivers") Joker Hysterical Face / Deer Park / I'm into C.B. / Mere Pseud Mag Ed / Flat of Angles / Who Makes the Nazis / Solicitor in Studio / The Classical / Life Dream of a Casino Soul / Hexen Definitive > And This Day / Middle Mass / Just Step Sideways / Prole Art Threat / Hip Priest Sutton, Michael. "The Blue Orchids – Music Biography, Credits and Discography: AllMusic". AllMusic. AllRovi . Retrieved 25 May 2013. Listening to In A Hole– I was surprised still how disorientating it sounds: queasily psychedelic but out on its own, despite many attempts at being Fall-like-in-essence by other lesser bands. The Classical / Lie Dream of a Casino Soul / Tempo House / I Feel Voxish / Hip Priest / I'm Into C.B. / Mere Pseud Mag Ed / The Man Whose Head Expanded

Curran, Shaun (11 December 2017). "Mark E Smith – the last interview". iNews . Retrieved 9 October 2018. Too much romantic here. And plenty of bloody microphones." (more amended lyrics to "The Classical")

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Ford, Simon (2003). Hip Priest: The Story of Mark E Smith and The Fall. London: Quartet Books. ISBN 0-7043-8167-2. Reynolds, Simon (2006). Rip It Up and Start Again: Postpunk 1978–1984. Faber and Faber. ISBN 978-0-571-21570-6. Imperial Wax Solvent: "Official Independent Albums Chart Top 50 | Official Charts Company". www.officialcharts.com . Retrieved 18 August 2022. to the band, sounding bored] OK. [to the audience] Start clapping!" (approaching the end of "Totally Wired")

Gig: Solicitor in Studio / Lie Dream of a Casino Soul / Tempo House / Room to Live / Slates, Slags, etc. / Marquis Cha-Cha / The Classical / Gramme Friday / I'm into C.B. / I Feel Voxish / Hexen Definitive > Deer Park // Look, Know / Container Drivers / Joker Hysterical Face / Just Step Sideways Kay Carroll: "You need the keyboard, Mark". MES: "What?" Kay: "You need to (...) that keyboard. Mark!" MES: "Yeah?" Kay: "That one... the other one." MES: "Yeah, turn (...)." [Keyboard whine disappears] A new wave personality stumbles out of the ruins... ten great Pole men and here he is, the man and his cronies... OK, maybe (...). And if I have a preference for Cary Grant, slaughterer of innocents. Add onO'Hagan, Sean. " Brix Smith Start: ‘Mark E Smith? He’s complicated’". The Guardian, 1 May 2016. Retrieved 26 May 2017 No tape exists? Thanks to Dannyno for theposter and review from "The Student", an Edinburgh University newspaper.. This era, a favourite period amongst many critics and fans, was marked by Brix's effort to find a wider audience for the Fall. They achieved a few modest UK hits with singles, including their versions of R. Dean Taylor's " There's a Ghost in My House" (no. 30, 1987) and the Kinks' " Victoria" (no. 35, 1988) and their own songs " Hey! Luciani" (no. 59, 1986) and " Hit the North" (no. 57, 1987), [24] and enjoyed a string of critically acclaimed albums: The Wonderful and Frightening World of The Fall (1984), This Nation's Saving Grace (1985), Bend Sinister (1986), and The Frenz Experiment (1988). I Am Kurious, Oranj is notable as the fruit of a ballet project between Smith and dancer Michael Clark. Simon Rogers and later Marcia Schofield played keyboards. Paul Hanley quit during the tour supporting The Wonderful and Frightening World of The Fall, and Simon Wolstencroft replaced other drummer Burns after This Nation's Saving Grace. Wolstencroft becoming sole drummer shifted the group's sound; his drumming was described as "nimble" and "funky" when compared to Burns. [21] In 2014 Wolstencroft published a memoir You Can Drum But You Can't Hide [25] about his 11-year stint in the Fall. Miller, Jeff (11 September 2013). "The Pixies Re-Form, Return With a Vengeance: Concert Review". Hollywood Reporter . Retrieved 1 July 2015. Right, this is the last number. This will see you on your way home. It's a nice little cabaret number. Me and the guys (...) it through a 10 year tour of Yorkshire. It's called 'The N.W.R.A.'. And folk go 'What's it mean? What's it mean?' It's not my fault musicians can't (...). This is a story about a rising. Nil chance. Nil chance. (...) as documented by the son of Roman Totale seventeen. His son's name is Joe and he was a vicious character and could kill you with one touch." (before "The N.W.R.A.")

The music comes housed in a rigid board slipcase and also features a 4,000-word essay by Daryl Easlea. It has been remastered by long-term Fall engineer Andy Pearce. In November 1980, the Fall released their third full-length album Grotesque (After the Gramme). Preceded by a couple of acclaimed singles "How I Wrote 'Elastic Man'" and " Totally Wired", the album went to #1 on the UK Indie Chart. It was co-produced by Rough Trade's Geoff Travis and Mayo Thompson of Red Krayola and showed a significant improvement in production, which was to continue throughout the period. Smith, however, was unhappy with Rough Trade's politics, which showed when Slates came out in April 1981. Intentionally made too long for a single and too short to be considered an album, it was released as a 10" EP for a price of just 2 pounds. The Fall eventually quit Rough Trade by the end of the year, and instead signed with a small indie label Kamera.More ink has been spilt on writing about the Fall than any other hip, indie, post-punk band ever. And since Mark E shuffled off even more psueds come to worship and praise him. You can see from the bit that his hair (...) been down that road before. And his broken teeth. Don't strike me, you!" (before "Middle Mass") This is an attempt at being a bit Latino but it didn't quite work out. And people seriously object." (before "Marquis Cha-Cha") Wings / Winter / Middlemass / I'm into C.B. / Mere Pseud Mag Ed / Who Makes the Nazis / Solicitor in Studio / Look, Know / Lie Dream of a Casino Soul / Hexen Definitive > And This Day / Flat of Angles / Just Step Sideways Sonic Youth covered three Fall songs (and " Victoria" by the Kinks, also covered by the Fall) in a 1988 Peel session, which was released in 1990 as an EP, " 4 Tunna Brix", on Sonic Youth's own Goofin' label. The Pixies covered "Big New Prinz" during their 2013 world tour. [61] The 1990s indie acts Pavement (who recorded a version of "The Classical") and Elastica (Smith contributed vocals to their final EP and album) showed an influence of the Fall, while Suede parodied the band with "Implement Yeah!", a song found on the cassette edition of their 1999 single, " Electricity". [62]