Electro- Harmonix 'Small Clone'

Product Information

The result is that the signal gets sent straight to the amplifier, and doesn’t mar the performance or clarity of other pedals in any way. The signal remains uncompromised and passes through the circuitry of the effects pedal without coloring the tone or weakening the signal or particular frequencies.

At the end of the day, this is just a guide to show you the most legendary chorus pedals ever. So without further ado, let's jump on it.** The Ibanez Chorus Mini is smaller than most other options featured here and is known for its deep dimensional sound. When set at the proper rate and depth settings, the Chorus Mini is capable of approximating the sound of a well-recorded Leslie speaker. Basically, this sound is lush, it’s full, kind of like Fabio's hair. I can’t put it any better than that.During the mid-1970s, Electro-Harmonix established itself as a manufacturer of guitar effects pedals. It was the first company to manufacture, and market affordable state-of-the art "stomp-boxes" for guitarist and bassists, such as the first stomp-box flanger (Electric Mistress), the first analog echo/delay unit with no moving parts (Memory Man), the first guitar synthesizer in pedal form (Micro Synthesizer), and the first tube-amp distortion simulator (Hot Tubes). In 1980, Electro-Harmonix also designed and marketed one of the first digital delay/looper pedals (16-Second Digital Delay) and a line of guitars in the 1970s. some guys in the band always turn around and smile at me! Haha. Such an important pedal for SNL! Love it!

If you're seeking a no-frills chorus pedal that won't break the bank, then the June 60 Mk II is a great call. It sounds excellent, modeled on the rich, seductive chorus found on the ’80s Roland Juno synths. Consequently, it's equally at home on guitar and synth, with extra options available via external dip switches. Despite the price point, it's even stereo via Y-cable. Alternatively, if you desire to reproduce your live sound as closely as possible, it might be a better idea to mic up your amplifier, run the chorus pedal into the amp and your guitar into the pedal’s input, exactly as you would on stage. The advantage of this method is that it allows you to predetermine your tone by adjusting the settings on the amplifier or the tonal controls of your guitar. Bear in mind, however, that your recording will be affected by the coloration of the amplifier and the microphone you choose to employ for this purpose. You might have noticed that some of the chorus pedals reviewed in this article have two outputs. The reason for this is that it gives a guitarist the option of splitting their signal and sending separate outputs to a pair of amplifiers. The Electro-HarmonixSmall Clone Analog Chorus Pedal is a classic analog chorus guitar effects pedal with a long history. On top of that, the MXR M234 Analog Chorus features a High and Low EQ setting that is a nice addition for dialing in just the right amount of presence and depth for your instrument.

My Review: The Chase Bliss Warped Vinyl Hi-Fi is a sublime modulation pedal that is capable of producing a huge range of effects. The pedal was originally designed by Chase Bliss Audio to create a similar effect to a warped vinyl, but as they progressed with the process, they decided to make it much more than that.