LEWITT LCT 440 PURE XLR condenser microphone for voice, singing, instrument recording, and streaming

Product Information

Alright, I just wanted to talk about some of the problems with “budget” large-diaphragm condenser microphones. That’s probably why you liked it so much on drums (as overheads, right?), it’s great for taming the harshness of cymbals! Same thing for the KSM32. Personally, I prefer condensers that sound bright and modern. That being said, the KSM32 isn’t the type of microphone I’d choose over the TLM-103, that’s for sure!

It’s been gaining some popularity recently and with good reason! Some of its owners have gone as far as comparing this budget condenser microphone to the esteemed Sennheiser MKH 416. The most impressive thing about this microphone is the sound it captures. It is very detailed and refined, with clear reproduction of sound source(s). It's neutral and true to the source, without coloration, but tuned to give a slight boost in high frequencies. It has nothing in similar with the nasty/piercing sound of the overly bright cheep condenser microphones. You should get an instant answer on whether your application has been successful, though in some rare cases Klarna or V12 may need to look at the application in more detail. That being said, the 440 definitely wouldn’t be your best choice for overhead drum mics! It’ll sound best on acoustic guitar and vocals (specifically, male vocals).Both of these microphones are useful, versatile additions to any mic collection. Despite being the cheaper of the two, the LCT 240 Pro could easily find a role in many professional-mic collections, as the voicing will definitely suit some instruments more than others; while the LCT 440 Pure is a more neutral-sounding microphone that would make an excellent choice for anyone looking to just add one detailed, high-quality condenser to their collection – there’s nothing it won’t sound at least pretty good on, and it will make many things sound great. Capture every nuance of your instrument or voice in any recording scenario. Use it to record your vocals, acoustic instruments, guitar amplifiers, drums and percussion, and everything else. PURE feel

A real studio workhorse, AKG’s C414 comes in two modern editions, with the difference being capsule design. While the C414 XLS provides a flatter frequency response and is suited to a wide range of sources, the C414 XLII’s capsule design, based on the revered C12, introduces a 3kHz presence boost that’s particularly flattering for female vocalists. Conversely, the more honest sound of the LCT 440 Pure is more suited to simpler mixes, perhaps just a guitar and voice, where the extra bottom end won’t be getting in the way of other instrumentation. However, the broader, flatter response of this microphone also makes it easier to EQ into shape, should the natural tone of the mic not suit the mix. Head-to-head: vocals Today we're looking specifically at the Lewitt LCT 440 Pure, which is its mid-range condenser aimed at a range of studio applications including vocals, speech and acoustic instruments, although Lewitt claims it has more than enough ability to be classed as a proper studio all-rounder. Versatile Studio Allrounder - No creative boundaries here! This microphone is a true studio allrounder, suitable for recording a wide range of audio sources. With an ultra-low self-noise level of only 7 dB (A), it thrives in quiet environments, while its ability to handle ear-shattering sound pressure levels of up to 140 dBSPL results in an impressive dynamic range of 133 dB (A). Whether you're recording vocals or instruments, the LCT 440 PURE - VIDA EDITION empowers your creativity without compromise.

Head-to-head: vocals

In fact, at this low price, I would recommend that beginners consider purchasing a pair of LCT 440 PURE models for dual-mic and stereo work. If you don’t need multiple patterns yet, and you use your mic preamp and/or DAW for highpass filtering (gain control at the preamp isn’t the same as a pad on the mic itself), you can get two wonderfully clean mics that will do great service in all sorts of applications for about the same price as a single LCT 450, and for far less than the fancier LCT models. I’ve never had the pleasure of working with a Neumann TLM-103 or a Shure KSM32, but based on the data collected on these microphones…