Twentysomething

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a b Ouellette, Dan (15 October 2005). "Pop – Cullum Has New 'Tales' To Tell" (PDF). Billboard. p.39 . Retrieved 24 August 2021. Momentum' | Jamie Cullum | Available 20 May 2013". Momentum.jamiecullum.com. 15 March 2013. Archived from the original on 17 May 2013 . Retrieved 20 May 2013.

Gold-/Platin-Datenbank (Jamie Cullum; 'Twentysomething ')" (in German). Bundesverband Musikindustrie . Retrieved 24 August 2021. The song as recorded by Cullum ("It Ain't Necessarily So") is also used in the film The Anatomy of Hate; A Dialogue to Hope by Mike Ramsdell. Jamie Cullum: Working with Clint was the easiest thing I ever did". Belfast Telegraph. 26 March 2015. ISSN 0307-1235 . Retrieved 24 October 2022. Dutchcharts.nl – Jamie Cullum – Twentysomething" (in Dutch). Hung Medien. Retrieved 15 February 2016. After graduating from Reading University, Cullum released his album Pointless Nostalgic (2002), which stirred interest from broadcasters Michael Parkinson [11] and Melvyn Bragg.a b c Bishop, Tom (30 December 2003). "Jamie Cullum jazzes up music scene". BBC News . Retrieved 23 February 2009. Cullum's Jewish father, whose mother had managed to flee Nazi Germany, was born in Jerusalem. His mother, whose father was Indian and mother Burmese, was born in Burma; when the Japanese invaded, the family left Burma and moved to Wales, when his mother was age five. [3] a b Christgau, Robert (30 November 2004). "Consumer Guide: Mine Enemy the Turkey". The Village Voice . Retrieved 13 December 2016.

Austrian album certifications – Jamie Cullum – Twentysomething" (in German). IFPI Austria . Retrieved 24 August 2021. Further to what I said before I’d also like to say that it really keeps me inspired and humbled. It’s a little like scheduling in proper listening. It’s so easy to do things like listening, in a scattered way, especially now some of the music streaming services are actively trying to be more like TikTok. It goes against how I feel about listening to music which is: if the music is good, you will be rewarded by deeper listening. By doing that dive, listening every week, preparing a playlist of old and new and then presenting it on the radio, you’re constantly aware of what’s out there and how good music can be. As a songwriter and performer myself it’s a reminder of how hard you have to work and where the bar is. It keeps things fresh and exciting. Also, I love that the jazz show is on Radio 2. Often you capture an audience with really unusual and challenging music that aren’t necessarily seeking that experience like perhaps a 6 music listener would be. It’s a harder job, but I find it really rewarding. Jamie Cullum (born 20 August 1979) [1] is an English jazz-pop singer, songwriter and radio presenter. Although primarily a vocalist and pianist, he also accompanies himself on other instruments, including guitar and drums. He has recorded nine studio albums, three compilation albums, one live album and twenty-four singles. Since April 2010, he has presented a weekly Tuesday evening jazz show on BBC Radio 2. [2] Early life [ edit ]

On The Go

God only knows how the BBC made this video". The Telegraph. 9 October 2014. Archived from the original on 12 January 2022. Similar to Twentysomething, which has "Made in Germany by EDC" in the matrix, but comes with a different booklet. The bright blue vinyl, coupled with a minimalist label design, provides something of a visual treat: rotate the record on the turntable and watch from above and as the grooves create pleasing patterns the disc appears to slow down and speed up, and eventually label and disc appear to rotate in different directions. It’s a fun feature, but most people, I expect, will be more concerned about the sound.

Independent Venue Week - Changing cultural currents: A conversation about independence with Jamie Cullum". www.independentvenueweek.com . Retrieved 7 November 2018.I think curation still feels like something to be celebrated. I can say that as a fan of Gilles Peterson, his knowledge, curiousity, his undimmed energy for a scene he has had a huge influence on creating – it feeds me. I’m interested in his opinion and his taste as it feels completely authentic. As the world becomes more automated, people like Gilles with his immeasurable knowledge, experience and enthusiasm are bright shining stars. Cullum has played at many large music festivals, including Festival International de Jazz de Montréal (in 2006, 2009 and 2015), Montreux Jazz Festival (2004, 2009, 2014, 2016, 2018), Glastonbury (2004, 2009 and 2017), New Orleans Jazz & Heritage Festival (in 2005), Coachella (2005), South by Southwest (2004, 2006), North Sea Jazz Festival, the Hollywood Bowl (performing with the Count Basie Orchestra), the 2006 Playboy Jazz Festival, the 2007 Jakarta International Java Jazz Festival and the 2008 Monterey Jazz Festival. On 30 April 2006 Cullum played his biggest-ever crowd on Queensday in the Netherlands. Roman Lob for Germany with 'Standing Still' ". European Broadcasting Union. 16 February 2012 . Retrieved 16 February 2012. As someone who brought UK jazz to a new audience, have you been keeping up with the modern scene? Is there anyone you’d recommend to us?