Rubber Soul [VINYL]

Product Information

Harper also said: "After a few times on the turntable, you realised that the goal posts had been moved, forever, and you really wanted to hear the next record – now. You could sense Revolver just over the horizon. You were hooked." [319]

Everett comments on the significance of the band's interest in the harmonium, sitar and fuzz bass each occurring during the same period, pointing out that the three sounds overlap in their offering a wide vibrative quality and "more richly discordant" tones. [86] a b Kemp, Mark (8 September 2009). "The Beatles: The Long and Winding Repertoire". Paste. Archived from the original on 23 October 2013 . Retrieved 26 October 2019. Prendergast, Mark (2003). The Ambient Century: From Mahler to Moby – The Evolution of Sound in the Electronic Age. New York, NY: Bloomsbury. ISBN 1-58234-323-3. Brian Wilson of the Beach Boys described Rubber Soul as "the first album I listened to where every song was a gas" and planned his band's next project, Pet Sounds, as an attempt to surpass it. [317] Rubber Soul similarly inspired Pete Townshend of the Who and the Kinks' Ray Davies, [318] as well as Jagger and Keith Richards of the Rolling Stones, who issued their first album of all-original material, Aftermath, in April 1966. [314] The album was also an influence on Bob Dylan, Stevie Wonder [238] and the Byrds. [9] John Cale recalled that Rubber Soul was an inspiration as he and Lou Reed developed their band the Velvet Underground. He said it was the first time "you were forced to deal with them as something other than a flash in the pan" and especially admired Harrison's introduction of Indian sounds. [319]

Italian album certifications – The Beatles – Rubber Soul" (in Italian). Federazione Industria Musicale Italiana . Retrieved 18 July 2022. Select "2022" in the "Anno" drop-down menu. Select "Rubber Soul" in the "Filtra" field. Select "Album e Compilation" under "Sezione".

Perone, James E. (2004). Music of the Counterculture Era. Westport, CT: Greenwood Press. ISBN 978-0-313326899. Hoffmann, Frank (2016) [2008]. Chronology of American Popular Music, 1900–2000. Abingdon, UK: Routledge. ISBN 978-0-415977159. British album certifications – The Beatles – Rubber Soul". British Phonographic Industry . Retrieved 11 June 2021. The Now That’s What I Call Music Yearbook activity continues with the ‘Extra’ 3CD version of 1985 and it is very likely that we will continue to get regular releases as the NOW team move into the later part of the 1980s and continue to issue ad hoc specials on vinyl and CD. Kronemyer, David (29 April 2009). "Deconstructing Pop Culture: How Many Records Did the Beatles Actually Sell?". MuseWire. Archived from the original on 12 March 2018 . Retrieved 18 April 2020.Brazilian album certifications – The Beatles – Rubber Soul" (in Portuguese). Pro-Música Brasil . Retrieved 21 August 2012. Spitz, Bob (2005). The Beatles: The Biography. New York, NY: Little, Brown and Company. ISBN 1-84513-160-6.

Young, Alex (19 September 2009). "Album Review: The Beatles – Rubber Soul [Remastered]". Consequence of Sound. Archived from the original on 22 December 2014 . Retrieved 25 March 2015.a b Unterberger, Richie. "The Beatles 'Norwegian Wood (This Bird Has Flown)' ". AllMusic. Archived from the original on 29 December 2010 . Retrieved 2 July 2018. Marcus also said that it was this album focus that nullified any potential argument "that the Beatles' first four LPs, in their British configurations ( Please Please Me, With the Beatles, A Hard Day's Night and Beatles for Sale), were as good as Rubber Soul". [304]