instax mini instant film, Black border, 10 shot pack, suitable for instax mini cameras and printers

Product Information

If you're looking for something with a more retro feel then it's hard to beat the Fujifilm Instax Mini 90 and its traditional leather-style binding. As you can see in the price comparison chart below, it's also the most expensive of the Instax Mini cameras in Fujifilm's range. For selfies you can engage an optical close-up mode by extending the lens barrel; this reduces the minimum focal distance down to just 0.3m, and there’s even a handy mirror next to the lens for framing. An always-on flash ensures your subject is always brightly lit in all lighting conditions, though it can be a touch overpowering in certain situations. In operation, it’s about as user-friendly as a Polaroid gets, ideally suited to point-and-shoot photography. You get dedicated controls for the flash and self-timer, the ability to dial in exposure compensation, and it will even capture creative double exposures. The images are saved to a microSD card and you can review them before printing – this avoids wasting pricey film on shots where people had their eyes closed. The same photo can be printed multiple times and you can even continue shooting if you run out of film.

The user-selectable modes allow you to preset the focus for macro, standard or landscape shots, and the viewfinder automatically corrects for parallax while shooting macro photos. There’s also a “kid mode” that forces the camera to shoot at 1/400 for faster-moving action and “party mode” where flash is paired with longer shutter speeds for better-balanced low-light shots. Other cameras available use Zink thermal paper instead. This ink-free printing process delivered so-so picture quality when we tried it in the past, but we plan to look at some recent models soon to see if things have gotten better. Looking for the best instant camera? You may be surprised to learn that you’ve never had more choice. The Instax Mini 40 is everything we liked about the Instax Mini 11, only wrapped up in a more eye-catching and mature design. If the Mini 11's toy-like looks were enough to put you off, then this should open the door to instant photography for you. Minimal buttons and no complex shooting modes mean this is an ideal starter camera for anyone unfamiliar with instant film, and the auto exposure system really takes out a lot of the guesswork associated with the medium. While Fujifilm’s Instax cameras may still have the Go beat for price-per-shot value, if you’re in the market for a Polaroid-branded instant camera, the Go is the most attainable model yet.

The key things to look for are the lens and the range of shutter speeds supported. Not all instant cameras have variable shutter speeds, which means that when the light drops you’ll need the flash to fire to get a decent image. If you’re feeling creative and want to do things such as light-painting you’ll want a camera that has a wide range of shutter speeds or, better yet, a bulb mode, where the frame of film is exposed for a chosen period. You should also pay attention to battery life. Cameras with rechargeable lithium-ion batteries have the advantage of being rechargeable from the mains – often without the need to remove the battery – but might take a long time to recharge. Cameras that allow you to use AA batteries are a little more expensive to use (unless you bring rechargeables and a charger with you), but you can nearly always get hold of more AA batteries, which is a real advantage if you suddenly run dry. Where the Now+ really sets itself apart is its inclusion of Bluetooth, allowing you to control the camera using Polaroid’s companion smartphone app. The app is intuitively designed and allows you to trigger the camera remotely, set the self-timer and create double exposures. For experienced photographers, there’s even a full manual mode that gives you complete control over the camera’s aperture, shutter speed and focus.

We test each camera in a range of environments and under a variety of different lighting conditions. We also take the time to compare each model against its closest market rivals and predecessors. Every instant camera in our roundup has been thoroughly reviewed by one of our in-house experts. During our testing, we assess the camera’s build quality, functionality, user-friendliness and, importantly, the quality of the camera’s instant photo prints. Today’s instant cameras range from cheap-and-cheerful chemical-only models to digital hybrid models that allow you to reprint images on demand from their built-in memory. Each print is mechanically ejected via a slot in the top of the camera, and will take upwards of five minutes to fully develop. Instax has the edge over Polaroid's I-Type film in this respect, although that's to be expected given the smaller size.Paired with the Mini Evo smartphone app, your prints can be shared to social media and you can even use the Evo to print pictures taken on your smartphone. It may be mechanically identical to the Mini 11, but the Mini 40's faux leather finish and silver trim details give it a more mature appearance.

Its hybrid design might not win over analogue die-hards but its feature set makes it one of the most versatile instant cameras on the market today. Polaroid also sells a pair of square format films. Its I-Type has the classic 3.1-by-3.0-inch scope, but it's not as affordable as the Fujifilm equivalent, nor does it deliver as consistent or color-accurate results. Artsy photogs might still prefer it because of its larger size and greater impact, however. Polaroid's other format is the tiny Go film, but we didn't like it much when we reviewed the Go camera a couple of years ago.The Neo Classic has substantially more bells and whistles than more basic instant cameras, giving adventurous photographers far more creative freedom. The camera is controlled via a collar around the lens: twist it once to extend the lens barrel and turn the camera on, twist it again to engage the camera’s close-focus. The close focus mode is ideal for arm’s length selfies and there’s even a handy mirror beside the lens to help you with framing. If you’re photographically ambitious, the Mini 12 doesn’t offer a whole lot of room for creativity, but for those just setting out or those looking for a camera free of complications, it’s a great option and very tough to top for the money. The Mini 12 comes in at 4.8 by 4.1 by 2.6 inches (HWD) and weighs about 10.3 ounces. We received it in Pastel Blue, but you can also get it in a proverbial rainbow of colors: Blossom Pink, Clay White, Lilac Purple, and Mint Green. The box includes a matching nylon wrist strap, along with two AA batteries that provide power. If you've used an Instax camera before, the Mini 40's blend of dark shadows and pale bright hues will feel very familiar. They aren't quite as dreamlike as rival systems from Lomography, capturing more precise details and without any kind of light leakage.