Be Opened By The Wonderful

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The Lake` was the b side to `Laid` and is maybe a hidden gem being quite reflective with shimmering strings that pictorially portray an iridescent lake or stretch of water. A wonderfully thoughtful piece which could be a metaphor for something far deeper. The joyful`She’s A Star` a song about empowerment is given a fullorchestrated workout which allows a much more emotiveimpact. Someone's Got It In For Me' sees Tim go full Morrissey and treats us to some serious bedsit angst. "What a state I'm in/My self-pitying/Here's another victim singing suffering", he wails. Musically, the song reminds me a little of Frankie Goes To Hollywood's 'The Power of Love'. His voice sounds like a raspy version of Holly Johnson. It's not a bad thing, and the song benefits from it. Flash forward to 2023, and James have more than 15 albums/compilations and thousands of gig and festivals performances under their belts, as well as a permanent place in Manchester’s music history. Far from resting on their laurels, James seem busy as ever: they’ve got an upcoming UK tour, a new orchestral album coming out, and another album in the pipeline. I ‘Sat Down’ with Jim Glennie, bassist for James, to discuss this exciting new chapter in the band’s story. ‘James’, Photo: Lewis Knaggs Glennie clearly loves the band, the fans and the music, himself. With a new tour approaching, and the opportunity to perform with a full orchestra and choir, it seems that James’s fourth decade will by no means be their last! One of Britain’s most enduring success stories, James has released 16 studio albums, selling over 25 million copies with a recent run of Top 5 albums proving to be a golden era for the band. All The Colours Of You released in 2021 was James’ most critically acclaimed in years, preceded by Living in Extraordinary Times and Girl at the End of the World which narrowly missed out on the top spot in 2016 to Adele.

Lookaway` is fairly ethereal but speeds up while remaining fairly dreamlike. From the intro, you wouldn`t guess that `Sit Down` was one of the bands most famous signature songs but it was always gonna sound unusual as you`ve known the standard for over thirty years. A re-imagining that i`m sure I’ll come to love as I did the original. And let’s not forget about “ Sit Down,” one of James’ most popular songs. Joe Duddell’s version of the song is a testament to his talent for transforming music into something new and exciting. With layer upon layer of strings, the song has a deep richness that elevates it to a different level. It’s a song about connection and reassurance that you are never alone, and with Duddell’s arrangement, it speaks to a wider audience and resonates on a deeper level. Their famous anthem ‘Sit Down’ is quirky as hell and a delight to listen to. I would love to hear this version sung somewhere cavernous to feel the vibration and emotion bounce around every square inch of space. Outstanding!

Beautiful Beaches

Top Of The World` is a fascinating listen as this adaptation has the addition of woodwind and strings which offers a unique angle. The lyrical content is fairly ambiguous and to me has many inferences. We have a song about the death of a loved one with `Moving On`This orchestrated version ensures that the song is both touching and moving but also has a sense of acceptance. His advice to young musicians hoping to break into the scene is refreshingly simple: ‘You basically have to do it because you love it.’ He speaks about the importance of being honest with yourself, and letting the music be its own reward. The sixth annual National Album Day on Saturday 14th October, as the music community comes together to celebrate the art of the album, sees ... Read more Our Blog Tonight I raise my glass to an old friend. Angelo Badalamenti. Hymn From A Village` has a similar pace and recalls its funky texture with added strings on this possible dig at the superficial music around at the time of its composition.A plea for somebody to open up gains a deeper emotional quality on `Say Something`.A hint a somebody struggling with substance abuse is maybe hinted at andthefrustration felt is almost tangible in the vocal delivery.

James produced some notable and instantly recognisable hits from humble beginnings in Whalley Range, Manchester (I don't know if they lived in a rented room) in 1982. Nineteen Top 40 singles and fourteen Top 20 albums are not bad. After all, you would not be surprised if the band needed to challenge itself, to do something against the grain. James has done just that with Be Opened By The Wonderful. The upcoming tour – complete with orchestra and choir – looks likely to traverse brand new territory for the band. They’re off to the Acropolis for the first time, which certainly seems a long way from the grey skies of Manchester. Glennie’s enthusiasm and frankly glee at the prospect of the upcoming tour, radiates through the phoneline. He tells me that the fans of the band are the best in the world. James’ eighth studio album Millionaires has always been underrated and ‘We’re Going to Miss You’ marks one of three contributions across this collection that serve as a reminder of the overall quality of that record. When everyone else was arguing about Blur and Oasis, the real outsiders were sitting in their bedrooms cowering in dark corners listening to Pulp and James albums. ‘Tomorrow’ is one of the reasons why. So many hooks. So much melody. And what a chorus.Selected items are only available for delivery via the Royal Mail 48® service and other items are available for delivery using this service for a charge. This first disc closes with `Alaskan Pipeline` which could refer to trust issues in a relationship and is an intense listen. It has an almost operatic aria towards the end that is delightfully evoking. A thoughtful and weighty number to leave us on. Be Opened By The Wonderful was recorded at Blueprint Studios in Manchester, orchestrated and conducted by Joe Duddell with the ORCA22 Orchestra lead by Andra Vornicu featuring the Manchester Inspirational Voices choir, directed by Wayne Ellington.

No album seems to be left unturned,. Whiplash offers up one of their most instantly recognisable tunes, ‘She’s A Star’. Here, the string work on is captivating and the simplicity is beautiful – again, it demonstartes how well Booth’s voice has held up over the years. Moving On was written by Tim after losing his mother and close friend within months of each other. Tim has described his mother dying in his arms as a beautiful experience. Of grief he says it “is an expression of how much you love that person. I embrace grief and it is a medal of love”. The feeling of love and grief and the outpouring of emotion in this version is heightened by the slower pace of the song, the soaring strings and the amazing chemistry and harmonies between Tim and Chloe’s voices. This added beauty reinforcing Tim’s view on death. It is clear from this latest album that James have no intention of slowing down. It will be fascinating to see where they go from here.

Notes

God it was such a buzz! We opened up with ‘Come Home’, and we had a marching band who came in the venue with no music playing’, he says, ‘As they got halfway into the venue, they starting playing the riff, and I’ve never heard a roar like it. It was like scoring at Wembley! […] You realise the band doesn’t really belong to you, it belongs to them, like a football team belonging to the fans.’ I cannot stop listening to this album. The themes covered – such as war, climate change and death are at total odds with the beauty of the songs and the music, with the emotions and feelings of these new versions intensified ten fold by the orchestra and choir. By working once again (and this time recording with) Joe Duddell, James have given themselves and their fans the opportunity to make new musical memories whilst revisiting old ones. There are so many layers and details to these songs and I am still discovering more after numerous listens. My advice is to shut yourself away, pop on some headphones and lose yourself in the pure musical magic – let yourself be Opened By The Wonderful. Dipping their toes into the Israel/Palestine conflict, 'The Lake' has a dreamy eeriness. You feel like you are in a dream world but with a sinister undertone that keeps you uneasy. 'She's A Star' has a 50s/60s feel. Think late Buddy Holly mixed with The Beatles in their Sgt. Pepper's pomp. In a song about a woman finding and releasing her innermost power, Booth shows us his vocal range. "She's been in disguise forever/She's tried to disguise her stellar views/Much brighter than all this static/Now she's coming through", Booth puts himself in the position of the female protagonist and explores her inner voice and strength. The strings bring a great dimension to the song, creating a feeling like a butterfly emerging from its cocoon. Born and bred in Moss Side, Glennie has been part of James since its inception: the band’s even named after him! He tells me he started in the band that eventually morphed into James when he was just 15, never knowing that they’d hit it big. ‘It was really just a mad, stupid thing that I absolutely loved’, Glennie says, ‘And then it kind of just took on a life of it’s own.’ It’s when they came to the attention of John Peel that things really got going. One of Britain’s most enduring success stories, JAMES have released sixteen studio albums, selling over 25 million copies, with their recent run of Top 5 albums proving to be a golden era for the band. All The Colours Of You, released in 2021, was their most critically acclaimed in many years, preceded by Living In Extraordinary Times in 2018, and Girl At The End Of The World, which narrowly missed out on the top spot to Adele in 2016.