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The Harry Potter series has had four composers. John Williams scored the first three films: Philosopher's Stone, Chamber of Secrets, and Prisoner of Azkaban. Due to a busy 2002 schedule, Williams brought in William Ross to adapt and conduct the score for Chamber of Secrets. Williams also created " Hedwig's Theme", the series leitmotif which appears in all eight films. [62] Costance Grady and Aja Romano (26 June 2017). "How Harry Potter changed the world". Vox. Archived from the original on 28 July 2017 . Retrieved 19 July 2017.
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Ryzik, Melena (7 February 2012). "Harry Potter and the Continuity Question". The New York Times. Archived from the original on 2 November 2012 . Retrieved 10 September 2012. Harry Potter". Box Office Mojo. Archived from the original on 6 August 2020 . Retrieved 1 June 2011. Claudia Puig (13 July 2011). "How 'Harry Potter' magically changed films". USA Today. Archived from the original on 27 April 2016 . Retrieved 19 July 2017.Box Office Harry Potter". The-numbers.com. Archived from the original on 14 July 2011 . Retrieved 24 February 2011. Introducing Michael Goldenberg: The OotP scribe on the Harry Potter films, franchise, and fandom OotP Film". The Leaky Cauldron. 10 April 2007. Archived from the original on 16 October 2012 . Retrieved 10 September 2012. In a 2010 interview, David Heyman briefly explained the book-to-film transition. He commented on Rowling's involvement in the series, stating that she understood that "books and films are different" and was "the best support" a producer could have. Rowling had overall approval on the scripts, which were viewed and discussed by the director and the producers. Heyman also said that Kloves was the "key voice" in the process of adapting the novels and that certain aspects from the books needed to have been excluded from the scripts due to the filmmakers' decision to keep the main focus on Harry's journey as a character, which would ultimately give the films a defined structure. Heyman mentioned that some fans "don't necessarily understand the adaptation process" and that the filmmakers would have loved to "have everything" from the books in the films but noted that it was not possible since they had "neither time nor cinematic structure" to do so. He finished by saying that adapting a novel to the screen is "a really considered process". [44] All the directors have been supportive of each other. Chris Columbus praised the character development in the films, while Alfonso Cuarón admired the "quiet poetry" of David Yates' films. [32] [37] Mike Newell noted that each director had a different heroism, and David Yates views the first four films "respectfully and enjoy[s] them". [38] [39] Daniel Radcliffe said Yates "took the charm of the films that Chris made and the visual flair of everything that Alfonso did and the thoroughly British, bombastic nature of the film directed by Mike Newell" and added "his own sense" of realism. [42] Scripts A studio model of Hogwarts. It is the main setting in the series; the castle features in every novel and screen adaptation.
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Warner Bros. Plans Two-Part Film Adaptation of "Harry Potter and the Deathly Hallows" to Be Directed by David Yates". Business Wire. 13 March 2008. Archived from the original on 28 June 2017 . Retrieved 6 September 2012. expand the screen adaptation of Harry Potter and the Deathly Hallows and release the film in two parts.
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MuggleNet (12 November 2010). "Yates on Williams, Part 2". Mugglenet.com. Archived from the original on 22 November 2010 . Retrieved 2 March 2011.
Harry Potter: Complete 8-film Collection | Harry Potter DVD
Harry Potter becomes highest-grossing film franchise". The Guardian. UK. 11 November 2007. Archived from the original on 2 November 2007 . Retrieved 17 November 2007. Tim Burke, the visual effects supervisor of the series, said of the production on Harry Potter, "It was this huge family; I think there were over 700 people working at Leavesden, an industry in itself." David Heyman said, "When the first film opened, no way did I think we'd make eight films. That didn't seem feasible until after we'd done the fourth." Nisha Parti, the production consultant on the first film, said that Heyman "made the first film very much the way he felt the studio Warner Bros. wanted to make it". After the film's success, Heyman was given "more freedom". [31]Steve Kloves wrote the screenplays for all but the fifth film, which was penned by Michael Goldenberg. Kloves had direct assistance from J.K. Rowling, though she allowed him what he described as "tremendous elbow room". Rowling asked Kloves to remain faithful to the spirit of the books; thus, the plot and tone of each film and its corresponding book are virtually the same, albeit with some changes and omissions for purposes of cinematic style, time, and budget constraints. Michael Goldenberg also received input from Rowling during his adaptation of the fifth novel; Goldenberg was originally considered to adapt the first novel before the studio chose Kloves. [43] All Time Worldwide Box Office Grosses". Box Office Mojo. Archived from the original on 3 November 2010 . Retrieved 29 July 2007. Lensers aren't afraid of the dark". Variety. 12 December 2012. Archived from the original on 11 November 2012 . Retrieved 30 September 2012. What I loved about the last film is that David pushed me to go dark, which all cinematographers love to do. And usually you're fighting with the producers (about the look) but they all wanted it dark and atmospheric, too.
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